By Shane Homan
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Tribute bands add a significant new dimension to this process. In the course of tribute band performances, dead rock stars are brought back to life, defunct bands are reassembled, and classic live performances of yesteryear are accurately reproduced again and again. Moreover, in revisiting a tributed group or artist’s recording and performing history, tribute bands are in the privileged position of being able to creatively play around with that history and will often do so to present an idealized version of events.
The Nostalgia Network was established in 1985 as a US cable network drawing on the popularity of shows like The Love Boat and The Rockford Files; Nickelodeon exploited its parent company Viacom’s large library of programmes to present reruns in an ironic and playful way (Grainge 2000: 30). Deprived of an immediate past of their own to plunder, cable and pay television networks have invested heavily in older film, television drama and sitcom stocks to attract viewers. Music television has been an important part of this process.
Acts of legal injunction against non-sanctioned ‘Elvii’ activity, in the name of ensuring ‘quality’ memorabilia, are rendered hollow by other rights to the Elvis image granted to casinos, restaurants and television commercials. Elvis Presley Enterprises initially sought to prevent impersonators 42 INDUSTRIES AND AUDIENCES from performing what they considered to be inappropriate imitations (Wall 2003: 41). The Bootleg Beatles experienced similar problems in Britain: Once we had an advert out with ‘the Beatles’ stamped over ‘Bootleg’, which was very faint, so when you printed in the paper you could hardly see the ‘Bootleg’.