By Robert B. Faltermeier
This publication is a concise advisor on the best way to safeguard, guard and examine cultural background in deepest and public collections. Its concentration is on three-d artworks and archaeology made from fabrics like ceramics, glass, stone, metals, wooden and so on. It in brief explains crucial features of dealing with, demonstrate, garage and research of such paintings works and covers the fundamentals of environmental stipulations for an artwork assortment. a number of functional examples from the author's lengthy adventure are proven in top of the range color photographs.
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Extra info for An Easy Guide to Care for Sculpture and Antique Art Collections
Biz Chemical Spot Tests: Various chemicals are applied in small areas to detect inconsistencies in the surface materials and the application of modern coatings to improve the appearance. X-ray Diffraction (XRD): This technology is used to identify the minerals present in a stone. 9 Vishnu sandstone sculpture, Cambodia; the legs of this figure are replacements. The infrared image clearly shows the difference in surface and the great variations in tool marks and the original weathering of the antique areas above the legs Cross-sections: Mounted thin sections of the stone viewed in an analytical microscope can highlight erosion and deterioration patterns and type of minerals present.
Display 49 Display Light is a form of electromagnetic energy and is one of the main causes of photochemical degradation, since organic materials such as textiles will absorb light energy and deteriorate. The absorbed energy will cause the textiles to fade and cause structural damage. Natural and artificial light sources contain visible and ultraviolet light. Both will damage a textile. Ultraviolet (UV) light is not visible to the human eye, but will cause the greatest amount of damage in the shortest period of time.
It probably dates from the early 20th century and was probably worn during ceremonial occasions. The technique most likely originates from Arabia or India Most textiles are more fragile than they appear at first glance. Before handling a piece, familiarise yourself with the problematic areas. When lifting or moving textiles, make sure that the weight is evenly distributed and no area is unnecessarily stressed by the weight of the fabric itself. Delicate areas can be supported by sliding acid free cardboard or paper underneath before attempting to lift a textile.