Complete Works of Ambrose Bierce by Ambrose Bierce

By Ambrose Bierce

For the 1st time in publishing background, Delphi Classics is proud to offer the total works of grasp storyteller Ambrose Bierce. This complete e-book is spiced with a variety of illustrations, infrequent and forgotten texts, concise introductions and the standard Delphi bonus fabric. (Version 1)

* superbly illustrated with photographs on the subject of Bierce's lifestyles and works

* Concise introductions to the collections and different texts

* The infrequent novella THE DANCE OF loss of life appears to be like right here for the 1st time in electronic print

* all of the brief tale collections, with person contents tables

* that includes 475 stories, many showing for the 1st time in electronic print

* pictures of the way the books have been first revealed, giving your eReader a flavor of the unique texts

* very good formatting of the texts

* well-known works equivalent to COBWEBS FROM AN EMPTY SKULL

are totally illustrated with their unique artwork

* detailed chronological and alphabetical contents tables for the poetry, essays and the fast stories

* simply find the works you must read

* the full non-fiction, with many scarce essays and newspaper articles

* comprises Bierce's letters - spend hours exploring the author’s own correspondence

* designated feedback part, with essays comparing Bierce’s contribution to literature

* additionally offers a distinct ‘Biercian Texts’ part with attention-grabbing articles at the works and disappearance of Ambrose Bierce

* contains a bonus full-length biography - observe Bierce's literary life

* Scholarly ordering of texts into chronological order and literary genres

CONTENTS:

The Novellas

THE DANCE OF DEATH

THE MONK AND THE HANGMAN’S DAUGHTER

THE LAND past THE BLOW

The brief tale Collections

THE FIEND’S DELIGHT

COBWEBS FROM AN EMPTY SKULL

PRESENT AT a dangling, AND different GHOST STORIES

IN THE MIDST OF lifestyles: stories OF infantrymen AND CIVILIANS

CAN SUCH issues BE?

FANTASTIC FABLES

NEGLIGIBLE TALES

THE PARENTICIDE CLUB

THE FOURTH ESTATE

THE OCEAN WAVE

KINGS OF BEASTS

TWO ADMINISTRATIONS

MISCELLANEOUS TALES

The brief Stories

LIST OF brief tales IN CHRONOLOGICAL ORDER

LIST OF brief tales IN ALPHABETICAL ORDER

The Poetry Collections

BLACK BEETLES IN AMBER

SHAPES OF CLAY

FABLES IN RHYME

SOME ANTE-MORTEM EPITAPHS

THE SCRAP HEAP

The Poems

LIST OF POEMS IN CHRONOLOGICAL ORDER

LIST OF POEMS IN ALPHABETICAL ORDER

The Non-Fiction

THE SHADOW at the DIAL, AND different ESSAYS

THE DEVIL’S DICTIONARY

WRITE IT RIGHT

ASHES OF THE BEACON

“ON WITH THE DANCE!”: A REVIEW

A CYNIC seems AT LIFE

TANGENTIAL VIEWS

BITS OF AUTOBIOGRAPHY

MISCELLANEOUS ARTICLES AND REVIEWS

UNCOLLECTED ESSAYS

The Essays

LIST OF ESSAYS IN CHRONOLOGICAL ORDER

LIST OF ESSAYS IN ALPHABETICAL ORDER

The Letters

THE LETTERS OF AMBROSE BIERCE

The Criticism

AMBROSE BIERCE through Vincent Starrett

AMBROSE BIERCE: AN APPRAISAL by means of Frederic Tabor Cooper

ANOTHER try to advance BIERCE INTO IMMORTALITY

THE UNDERGROUND attractiveness OF AMBROSE BIERCE

AMBROSE BIERCE by way of Ella Sterling Cummins

Biercian Texts

LIST OF BIERCIAN ARTICLES AND REVIEWS

The Biography

AMBROSE BIERCE: A BIOGRAPHY by way of Carey McWilliams

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Extra info for Complete Works of Ambrose Bierce

Sample text

Qxd 4/13/04 2:10 PM Page 34 34 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 sh 34 reg 35 D a v i d F o s t e r Wa l l a c e innocuous icon’s face tended to bleed in his mind into one face, crude and line-drawn and clever in a small way, a design that someone might find some small selfish use for but could never love or hate or ever care to truly even know. Some of the shoppers inside the first-floor display window of the Gap observed the mass of people on the sidewalk craning upward and wondered, naturally, what was up.

Whose own character’s clear marriage of virtue, pragmatism, and oracular marketing savvy were his best and final argument; he was saying to these upper-management men in their vests and Cole Haans just what he proposed to have them say to a sorry and cynical US market: Trust Me You Will Not Be Sorry — which when he thinks of the starry-eyed puerility and narcissism of these fantasies now, a rough decade later, Schmidt experiences a kind of full-frame internal wince, that type of embarrassment-before-self that makes our most mortifying memories objects of fascination and repulsion at once, though in Terry Schmidt’s case a certain amount of introspection and psychotherapy (the latter the origin of the self-caricature doodling during downtime in his beige cubicle) had enabled him to understand that his professional fantasies were not in the main all that unique, that a large percentage of bright young men and women locate the impetus behind their career choice in the belief that they are fundamentally different from the common run of man, unique and in certain crucial ways superior, more as it were central, meaningful — what else could explain the fact that they themselves have been at the exact center of all they’ve experienced for the whole 20 years of their conscious lives?

N. spots was a seminal example of this sort of multivalent pitch, Terry Schmidt said (tweaking Awad again and letting the small secret thrill of it almost make him throw a puckish wink at the smoke detector), as too was Jolt Cola’s brand name’s double entendre of a ‘jolt’ both to the individual nervous system and to the tyranny of dilute and innocuous soft drinks in an era of trendy self-denial, as well of course as Jolt’s well-packaged can’s iconic face with its bulging crossed eyes and electricized hair and ghastly fluorescent computer-room pallor — for Jolt had worked to position itself as a recreational beverage for digital-era phreaks and dweebs and had managed at once to acknowledge, parody, and evect the computer-dweeb as an avatar of individual rebellion.

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